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The presentation of the Ukrainian theater mission “Chronicles of Battle, Hatred and Love” will happen in Slovakia | – Odessa Journal


On September 25, within the framework of the Worldwide Theater Competition Divadelná Nitra (Nitra, Slovakia), a work-in-progress presentation of the mission “Chronicles of Battle, Hatred and Love” by the Ukrainian WE: media theater will happen within the type of a performative studying.

For the primary time, the mission was offered on the Ukrainian show-case programme throughout the Avignon La Manufacture off-festival. Ukrainian Institute is the mission’s associate. 

Submit-documentary mission “Chronicles of Battle, Hatred and Love” tells concerning the warfare in Ukraine via the historical past of the small theater group, which from the start of the full-scale invasion of the Russian Federation begins to doc what is occurring round. A part of the mission are precise studies created by the WE theater from February 26. 

The principle intention of the theater mission is probably the most frank try and put oneself within the topic of analysis, to reply the query of what documentation is and the way far a documentarian can go. It is a dangerous recreation on the border and with the border of public-private, personal-political, creativity-life. In spite of everything, the main focus of consideration is on the personal tales of the documentarians themselves. 

The mission is conceived as a sort of constructor of texts for theater and documentary media content material, which might be embodied within the native language at numerous European theater venues, together with with the participation of Ukrainian actors who had been pressured to go away Ukraine and their ordinary exercise on account of warfare. 

For extra particulars and tickets observe the link.

WE: media theatre is an unbiased theatre group based in 2021 by Sashko Brama, Maria Yasinska and Liuda Batalova. The group engages in urgent social themes and points regarding Ukrainian society. The group goals to doc historic processes via private tales of contemporaries and their inventive grasp on the border of post-documentary theatre, video storytelling and visible disciplines. 


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