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October queer music roundup: Shygirl, Ezra Furman, and the Recitals – Homosexual Metropolis Information


This month, we meet up with the sixth solo album from bi, trans singer/songwriter Ezra Furman, queer singer and rapper Shygirl, and the LGBTQ-inclusive  collective the Recitals.

Ezra Furman | “All of Us Flames” | Anti-

On an informal hear, singer/songwriter Ezra Furman’s newest album is a glance again at heartland rock, with added inspiration from Lou Reed and  ‘60s lady teams. Zoom in nearer, and the distinctive points of her strategy change into a lot clearer.  (She wrote and carried out the soundtrack to the Netflix present “Intercourse Training, showing reside in live performance throughout one episode.”) “All of Us Flames” is a sibling to Sharon van Etten’s  glossier “Remind Me Tomorrow,” additionally produced by John Congleton. Each draw on “Born in the united statesA.”-era Springsteen, including  fuzzed-out synthesizers. Furman goes a lot additional, utilizing barely murky sound design and working a shaky, one-note keyboard riff by way of a number of songs. “All of Us Flames” suggests a damaged carnival journey, caught repeating the identical actions in perpetual movement.

“All of Us Flames” is stuffed with Americana imagery: passing trains, outlaw {couples} on the street. She’s at present finding out to be a rabbi, and her lyrics mirror her religious religion. The hovering crescendo of “Practice Come By way of” is definitely in regards to the look forward to a Jewish messiah to emerge. After figuring out publicly as genderqueer, she got here out as trans final 12 months. Inside the first three traces of “Ebook of Our Names,” Furman references the Ebook of Exodus (referred to as the “guide of names” in Hebrew), Trans Day of Remembrance, and the Holocaust. Furman makes use of non secular imagery to specific a relentless craving for a extra simply, humane society and a reference to the divine: “Let’s meet up in a spot that isn’t wherever/On the temple of damaged desires.” Indie takes on Springsteen’s fashion are removed from unusual, however Furman gazes upon the world with out having the ability to depart the car parking zone, making music whose large gestures are coated in fuzz and murk.

The Recitals | “Orbit I” | Flying Nun

The names of the Recitals’ particular person members are unlikely to ring bells with many People, however within the New Zealand indie scene, they’re a supergroup. The seven-piece group don’t all reside in the identical metropolis, which led to recording their debut album “Orbit I” piecemeal, however they shaped with the intention of expressing a feminine and/or LGBTQ perspective.

With that many devices, the combination can get cluttered and overly busy. (The presence of cellist Olivia Wilding tends to get drowned out.) The Recitals go for swift adjustments in dynamics, however as a substitute of elevating the quantity stage progressively, their songs immediately run off in new instructions. At greatest, their music has an excitingly unpredictable really feel, drawing on post-rock with out succumbing to its tendencies in the direction of tuneless drift. A number of songs begin with delicate, trebly guitar arpeggios straight out of ‘80s  jangly, however in addition they look at Midwest emo, with songs getting louder and extra difficult in a short time after tuneful intros. The character imagery of their movies suggests a touch of hazard, with the music crackling with electrical energy and seeming to be in peril of rumbling uncontrolled. On “Rock Dove,” whose second half finds guitar and drums discovering for management of the rhythm, that lastly occurs. The keyboard-driven “Angelpoise,” the place percussion is lowered to a faint kick drum and equally quiet samples of speech shut out the tune, serves as a welcome interlude. Moderately than harmonizing neatly, female and male vocals are inclined to collide. Whereas the band may gain advantage from introducing more room into their music and making every instrument extra distinct, “Orbit I” is an thrilling begin.

Shygirl | “Nymph”  | As a result of Music

Most of Shygirl’s press reception has centered round her sexually specific lyrics. You may guess what “BDE,” a 2021 duet with rapper slowthai, stands for. Her debut album “Nymph” follows two eps and collaborations with Mura Masa, Lil Uzi Vert, Pink Pantheress, FKA twigs, and trans producer Arca. It serves up tune titles like “Shlut” and “Coochie (a bedtime story).” However the place many artists with hypersexual lyrics sound just like the anti-heroes from ‘90s erotic thrillers, Shygirl avoids cartoonish extremes. “Nike” places a brand new spin on the sneaker firm’s advert slogan, in addition to declaring “boys, ladies, obtained ‘em all,”  however  “Coochie,” on which she lusts after different girls’s genitalia, is playful and candy. Intercourse is only one aspect of her music — and life — and she or he treats it as a pure half of a bigger image.

Shygirl had labored with the late trans producer and hyperpop innovator SOPHIE. On “Nymph,” she continues to mine that style, with assist from Arca and PC Music co-founder Danny L. Harle. Its emblems are throughout this album: pitch-shifted vocals, distorted and metallic percussion. “Come for Me” brings collectively an unusually dissonant set of sounds and makes them work as a catchy tune. Even at her most abrasive, Shygirl spins sugar out of noise. She sings on the prime of her register, with a really noticeable British accent. When she raps, she exudes swagger, however her music has an ethereal, wispy aspect too. She’s equally good at boasting and singing ballads. The strings and pads of “Honey” and “Wildfire” counsel one other dimension of her character. Regardless of the manufacturing suggests, “Nymph” spins sugar out of it.


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